JOEY GOETZ, GUEST TRUMPET WRITER As the academic year begins anew, students are eager to discover what campus programming organization Entertainment ToKnight (ETK) has in store for a year filled with new openings and old COVID-19 restrictions. “Above all, our mission was last year, and will continue to be, to create safe events for students,” said Rachel Green, third-year journalismContinue reading “ETK WITH A YEAR FILLED WITH NEW OPENINGS AND OLD COVID-19 RESTRICTIONS”
Wartburg College graduates Kartika Putri and Trevis Young will be featured at the college’s first Bach’s Lunch organ series recital of the 2021-22 season Friday, Sept. 10.
Pieces from the personal collections of Wartburg College faculty and friends will be on display in the college’s Waldemar A. Schmidt Art Gallery beginning Wednesday, Sept. 1.
Rebecca Nederhiser, a conductor and oboist, will lead the Wartburg Community Orchestra for the 2021-22 season.
The work of the late Nan Graese Fritschel will be on display in Wartburg College’s Waldemar A. Schmidt Art Gallery beginning June 7.
Several Wartburg College music ensembles will offer their traditional spring music concerts this weekend, and all will be shared virtually as the choirs continue to do their part to mitigate the spread of COVID-19.
As the year winds down, the senior art exhibit is coming quickly.
Every now and then, I see a film that keeps me on my feet, and I can’t say that I’ve seen one that does this quite like “Paper Lives,” a new Turkish drama out on Netflix.
The riot grrrl scene was not fundamental to independent film, but it encouraged women to make films in a “coming of rage” sort of way, as it surged punk-power feminism into the spotlight. On March 3, Amy Poehler’s “Moxie” was released on Netflix, a mainstream movie that shone a light on the previously forgotten riot grrrl scene.
It’s a sad reality that the art of film is so void of female filmmakers. According to USAToday, only 13% of all directors are female, which is a four percent increase since 1998, and only five percent of all cinematographers are female, which is an increase of one percent since 1998.